Bromley House Library: a hidden gem in the city centre of Nottingham home to a beautiful walled garden and the legendarily aesthetic spiral staircase. What better place to be able to carry out a one week writers’ residency?

Henry and Flynn standing holding their outputs, while Leanne stands between them.

Henry, Leanne and Flynn at the showcase.

Two local young writers, Henry Lambert and Flynn Ledger, were invited to complete a one-week residency earlier this year, mentored by Nottingham-based poet Leanne Moden, in order to create poetry in response to the library’s Alan Sillitoe collection. Donated by his widow, Ruth Fainlight, in 2010, the collection contains every book the Nottingham literary legend had on his shelves before his death that year. It is incredibly varied, featuring everything from poetry to maps and cookbooks. Several of the books were owned by others years before Sillitoe’s time, many of whom wrote notes and messages in the margins. The collection provided a plethora of material to inspire Henry and Flynn in their writing process.

Henry's output, which reads: To those who live on in the margins, To Sheila Bolton, 1945, and Diane Vickery, 1950, Their names now elegies, in atrophied ink, for these time-eroded ghosts, To Della, happy 8th anniversary, Her name, wedded now only to the page it was written on, To Jane Anne Bennet, Norway, This remnant of her life, far flung but unforgotten, To Agnes, or Myers, 1896, and to Alan Sillitoe, 100 years on, To the names scrawled in quill ink and chicken scratch, To the names blurred from memory, and those waiting to be found again, I think of these little snapshots of lives, And mourn the ghosts in their clothbound caskets, bandaging broken spines with dust jackets, lingering on through their own epitaphs, Frozen fragments of living in this margin mausoleum, I think of Elizabeth Dodds, windswept and still three months from Montreal, I think of Dorothea Griffith, winner of the first-place prize with a drawing as forgotten as her face, I think of the boy from Barrow Grammar school, his award for general improvement outlasting his name, For these lines share the stories of their eternally resting scribes, Marginalia in memoriam, with the handwriting of each, an accent, Each flit of the pen, a reconstruction of identity, In place of articulation, every embellishment instead speaks For the faceless phantoms who lived and breathed and laughed and cried and died, Who won the first-place prize for drawing, Who took the S.S Duchess of York to Montreal, Who wanted an escape from the present-day hectic rush, Who live on in the margins.

Henry’s collage.

Henry’s poem, entitled ‘The Ghost Library’, focused on the marginalia written in Sillitoe’s collection and the lives of those unknown except by their name written briefly on a page, which he chose to aesthetically represent in a collage of different handwriting. Flynn’s poem, ‘Shelf AS-D and Those Yet to be Classified’, took a different approach; he wrote stanzas in varying fonts and styles, each on a new page, in order to create a sense of flicking through a shelf in a library. The writers were very pleased seeing their physical outputs in front of them, showing them how their hard work had truly materialised.

Flynn's output, which reads: Shelf AS-D and those yet to be classified, by Flynn Ledger 1. In this haven, a bookworm chews paper into pulp, devouring the world's secrets page by page. He is full of creations and chronicles, of ink that turns to magic in his stomach. He nestles in the hole he has made, big enough for him to curl up in and sleep; dreaming of dictionaries, weaving wonders from words, and I leave him be, browsing the menu of literature for myself. It is best to keep your distance when inspiration (and the hunger for knowledge) strikes.

The first page of Flynn’s poem.

Following the residency, Bromley House and the City of Literature collaborated to hold a celebratory showcase for Henry and Flynn, in which they could share their poems and answer questions from Leanne and the audience. 

The two responses to the library’s Sillitoe collection were met with strong excitement from attendees, which included friends and family, members of the City of Literature and Bromley House teams and Bromley House Trustee, Catharine Arnold. Guests were also invited to browse the Sillitoe collection on the night of the event, and enjoyed leafing through all the books that inspired Henry and Flynn’s poetry.

At the end of their performance and Q&A, the writers were gifted a year’s membership to the library, and Leanne was given flowers in thanks for her wonderful mentoring. The experience has been truly enriching for both young writers, with Flynn describing it as “something I’m going to cherish and take with me into every creative project going forward.” Nottingham City of Literature hopes that this will be the first of many young writers’ residences to come.

Read Flynn and Henry’s poems and find out more about the Bromley House Young Writers’ residency here.